The Resilient Writers Radio Show
Welcome to the Resilient Writers Radio Show! This is the podcast for writers who want to create and sustain a writing life they love. It's for writers who love books, and everything that goes into the making of them. For writers who wanna learn and grow in their craft, and improve their writing skills. Writers who want to finish their books, and get them out into the world so their ideal readers can enjoy them, writers who wanna spend more time in that flow state, writers who want to connect with other writers to celebrate and be in community in this crazy roller coaster ride we call “the writing life.”
The Resilient Writers Radio Show
Writing Historical Speculative, with Aamir Hussain
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Welcome back to another episode of The Resilient Writers Radio Show!
This week, I’m thrilled to introduce you to Aamir Hussain, whose debut novel Under the Full and Crescent Moon is officially out in the world.
This is no ordinary debut. It’s a speculative historical novel that asks a bold and fascinating question: Could there be a Muslim matriarchy—and what would that world look like?
The story follows Khadija, a young woman growing up in the imagined city of Madid al-Agham, where faith, politics, and the law intertwine. Over the course of 11 transformative months, Khadija becomes a mufti—a scholar and writer of fatwas. She’s pulled into debates, courtroom-style conflicts, and life-changing choices, all while negotiating family ties, mentorship, and an intellectual rival who challenges her beliefs and authority.
Aamir shares with us how this novel took root. Raised in Pakistan, Saudi Arabia, and later the Greater Toronto Area, he experienced different expressions of Islam firsthand.
After 9/11, he saw the faith misrepresented online—flattened into stereotypes. That disconnect led him to years of research into Islamic history and law, and eventually into the story that became Under the Full and Crescent Moon.
We talk about:
✨ The long road to this debut—from early prologue drafts in 2015 to a finished manuscript in 2022.
✨ Writing on Toronto’s TTC and GO Train during his daily commute.
✨ Balancing heavy research with a compelling narrative (and how his editor, Julia Kim, helped cut 40,000 words!).
✨ The challenge of writing a female protagonist with honesty and respect—and how early readers gave him confidence in Khadija’s voice.
✨ What it means to show, not tell, when weaving faith, politics, and history into fiction.
What struck me most in this conversation is Aamir’s hope for readers. For Muslim readers, he hopes Khadija’s world reflects the richness and diversity within their own communities. For non-Muslim readers, he hopes the book challenges stereotypes and sparks curiosity about the depth of Islamic history and interpretation.
More than anything, he wants readers to see that communities, like individuals, are varied, nuanced, and deeply human.
On publication day, Aamir admits to feeling a little overwhelmed—but grateful. He didn’t originally set out to be a writer, but the story insisted on being written. Now, he’s embracing the identity of “novelist” and looking ahead with humility. Will there be another book? Inshallah—God willing.
If you love novels that mix immersive worldbuilding with thought-provoking questions, you’re going to love this conversation—and you’re going to love Khadija.
Grab your copy of Under the Full and Crescent Moon and join us for a behind-the-scenes look at how it came to be.
